Showing posts with label Poetry. Show all posts
Showing posts with label Poetry. Show all posts

Sunday, September 6, 2009

 


I am the Rose of Sharon,

a wild anemone.

As lily among the thorn trees

So is my love to me.


An apple tree among wild trees,

My love is in my sight,

I sit down in his shadows,

His fruit is my delight.


He brought me to his palace,

And to the banquet hall,

To share with me his greatness,

I, who am least of all.


Oh, give me help and comfort,

For I am sick with shame,

Unfit to be his comfort,

Unfit to bear his name.


I charge you, o ye daughters,

Ye roes among the trees,

Stir not my sleeping loved one,

To love me e'er he please.


Hinds Feet on High Places

By: Hannah Hurnard

Monday, August 10, 2009

lady in a fab dress copyCome oh come! let us away-
Lower, lower every day,
oh, what joy it is to race
Down to find the lowest place.

This the dearest law we know-

“it is happy to go low.”

Sweetest urge and sweetest will,

“Let us go down lower still.”

Hear the summons night and day

calling us to come away.

From the heights we leap and flow

to the valleys down below.

Always answering to the call.

To the lowest place of all.

Sweetest urge and sweetest pain.

To go low and rise again.

Hannah Hurnard

Hinds Feet on High Places

Thursday, August 6, 2009

Fare thee well my Dinghy Friend!

 dinghy-2

Fare thee well my Dinghy Friend,

our summer adventures never did begin.

The dreams I had for all of us

turned out to be a bit too much!

Of summer days spent on the sea

I truly wished that’s where we’d be.

dinghy-1

But alas, my little Dinghy friend,

your hull was damaged,

we could not mend.

So off you went to another’s home,

I wonder if you’ll ever reach

the sand and the foam.

Friday, March 20, 2009

Happy first day of Spring!


When the moon comes out to shine her face
the birds are fast asleep
And the lanterns hang from every post
the faeries leave their keep

They join their hands and sing their songs
that nary a soul can hear
In the springtime when the earth is new
to the faeries they draw near

Lyrics: Loreena Mckennitt

Wednesday, February 25, 2009

Image: Herbert James Draper

"Let me not to the marriage of true minds
admit impediments.
Love is not love which alters when it alteration finds,
Or bends with the remover to remove:
O, no! it is an ever-fixed mark,
That looks on tempests, and is never shaken..."


William Shakespeare, Sonnet 116

Tuesday, February 17, 2009


If you have found a smile
that is the sweetest one you've known,
If you have heard within a voice,
the echoes of our own,
If you have felt a touch
that stirs the longings of your heart,
And still can feel that closeness
in the moments you're apart...

If you've been filled with wonder
at the way two lives can blend
To weave a perfect pattern
that is seamless, end to end,
If you believe God's hand is guiding
all that's meant to be,
You know He chose the one you love
to share your destiny

Emily Matthews

Monday, September 22, 2008


The wind was a torrent of darkness
among the gusty trees,
The moon was a ghostly galleon
tossed upon cloudy seas,
The road was a ribbon of moonlight
over the purple moor,
And the highwayman came riding—
Riding—riding—
The highwayman came riding,
up to the old inn-door.
He'd a French cocked-hat on his forehead,
a bunch of lace at his chin,
A coat of the claret velvet,
and breeches of brown doe-skin;
They fitted with never a wrinkle:
his boots were up to the thigh!
And he rode with a jewelled twinkle,
His pistol butts a-twinkle,
His rapier hilt a-twinkle, under the jewelled sky.
Over the cobbles he clattered
and clashed in the dark inn-yard,
And he tapped with his whip on the shutters,
but all was locked and barred;
He whistled a tune to the window,
and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot
into her long black hair.
And dark in the dark old inn-yard
a stable-wicket creaked
Where Tim the ostler listened;
his face was white and peaked;
His eyes were hollows of madness,
his hair like mouldy hay,
But he loved the landlord's daughter,
The landlord's red-lipped daughter,
Dumb as a dog he listened,
and he heard the robber say—
"One kiss, my bonny sweetheart,
I'm after a prize to-night,
But I shall be back with the yellow gold
before the morning light;
Yet, if they press me sharply,
and harry me through the day,
Then look for me by moonlight,
Watch for me by moonlight,
I'll come to thee by moonlight,
though hell should bar the way."
He rose upright in the stirrups;
he scarce could reach her hand,
But she loosened her hair i' the casement!
His face burnt like a brand
As the black cascade of perfume
came tumbling over his breast;
And he kissed its waves in the moonlight,
(Oh, sweet, black waves in the moonlight!)
Then he tugged at his rein in the moonliglt,
and galloped away to the West.
He did not come in the dawning;
he did not come at noon;
And out o' the tawny sunset,
before the rise o' the moon,
When the road was a gypsy's ribbon,
looping the purple moor,
A red-coat troop came marching—
Marching—marching—
King George's men came matching,
up to the old inn-door.
They said no word to the landlord,
they drank his ale instead,
But they gagged his daughter and bound her
to the foot of her narrow bed;
Two of them knelt at her casement,
with muskets at their side!
There was death at every window;
And hell at one dark window;
For Bess could see, through her casement,
the road that he would ride.
They had tied her up to attention,
with many a sniggering jest;
They had bound a musket beside her,
with the barrel beneath her breast!
"Now, keep good watch!" and they kissed her.
She heard the dead man say—
Look for me by moonlight;
Watch for me by moonlight;
I'll come to thee by moonlight,
though hell should bar the way!
She twisted her hands behind her;
but all the knots held good!
She writhed her hands till her fingers
were wet with sweat or blood!
They stretched and strained in the darkness,
and the hours crawled by like years,
Till, now, on the stroke of midnight,
Cold, on the stroke of midnight,
The tip of one finger touched it!
The trigger at least was hers!
The tip of one finger touched it;
she strove no more for the rest!
Up, she stood up to attention,
with the barrel beneath her breast,
She would not risk their hearing;
she would not strive again;
For the road lay bare in the moonlight;
Blank and bare in the moonlight;
And the blood of her veins in the moonlight
throbbed to her love's refrain .
Tlot-tlot; tlot-tlot! Had they heard it?
The horse-hoofs ringing clear;
Tlot-tlot, tlot-tlot, in the distance?
Were they deaf that they did not hear?
Down the ribbon of moonlight,
over the brow of the hill,
The highwayman came riding,
Riding, riding!
The red-coats looked to their priming!
She stood up, straight and still!
Tlot-tlot, in the frosty silence!
Tlot-tlot, in the echoing night!
Nearer he came and nearer!
Her face was like a light!
Her eyes grew wide for a moment;
she drew one last deep breath,
Then her finger moved in the moonlight,
Her musket shattered the moonlight,
Shattered her breast in the moonlight
and warned him—with her death.
He turned; he spurred to the West;
he did not know who stood
Bowed, with her head o'er the musket,
drenched with her own red blood!
Not till the dawn he heard it,
his face grew grey to hear
How Bess, the landlord's daughter,
The landlord's black-eyed daughter,
Had watched for her love in the moonlight,
and died in the darkness there.
Back, he spurred like a madman,
shrieking a curse to the sky,
With the white road smoking
behind him and his rapier brandished high!
Blood-red were his spurs i' the golden noon;
wine-red was his velvet coat,
When they shot him down on the highway,
Down like a dog on the highway,
And he lay in his blood on the highway,
with the bunch of lace at his throat.
* * * * * *
And still of a winter's night,
they say, when the wind is in the trees,
When the moon is a ghostly galleon
tossed upon cloudy seas,
When the road is a ribbon of moonlight
over the purple moor,
A highwayman comes riding—
Riding—riding—
A highwayman comes riding,
up to the old inn-door.
Over the cobbles he clatters
and clangs in the dark inn-yard;
He taps with his whip on the shutters,
but all is locked and barred;
He whistles a tune to the window,
and who should be waiting there
But the landlord's black-eyed daughter,
Bess, the landlord's daughter,
Plaiting a dark red love-knot
into her long black hair.

The Highwayman: Alfred Noyes


Saturday, September 20, 2008


Where dips the rocky highland
Of Sleuth Wood in the lake,
There lies a leafy island
Where flapping herons wake
The drowsy water rats;
There we've hid our faery vats,
Full of berrys
And of reddest stolen cherries.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping
than you can understand.

Where the wave of moonlight glosses
The dim gray sands with light,
Far off by furthest Rosses
We foot it all the night,
Weaving olden dances
Mingling hands and mingling glances
Till the moon has taken flight;
To and fro we leap
And chase the frothy bubbles,
While the world is full of troubles
And anxious in its sleep.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping
than you can understand.

Where the wandering water gushes
From the hills above Glen-Car,
In pools among the rushes
That scare could bathe a star,
We seek for slumbering trout
And whispering in their ears
Give them unquiet dreams;
Leaning softly out
From ferns that drop their tears
Over the young streams.
Come away, O human child!
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping
than you can understand.

Away with us he's going,
The solemn-eyed:
He'll hear no more the lowing
Of the calves on the warm hillside
Or the kettle on the hob
Sing peace into his breast,
Or see the brown mice bob
Round and round the oatmeal chest.
For he comes, the human child,
To the waters and the wild
With a faery, hand in hand,
For the world's more full of weeping
than he can understand.

The Stolen Child
William Butler Yeats